PAD-2

Stereo Analog to Digital Converter

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Can digital audio sound detailed, smooth and very musical without adding any harshness, just like an analog source? This was the question we had in mind when designing the PAD-2, which has now reached the second generation (Mk2). We strove to achieve this goal, and we used the best solutions for the task. A completely passive analog input stage, based on state-of-the-art custom wound extended bandwidth transformers, to allow for natural anti-aliasing action, for incredible flexibility and musicality. High-precision 512x fs isolated temperature compensated crystal oscillators (“TCXOs”) for ultra stable clock generation, extremely low phase noise and jitter, the 24-bit native PCM4220 A-D conversion chip, can operate up to 192 kHz sample rates, featuring an improved overload handling and smooth clipping, it is really able to capture the finest details and give to recordings that transparent sound, 'true to the source'.

Nine independent linear power-supply stages for each analog and digital section, 3 separate main transformers, will ensure digital clarity and noise free operation. The sound from highs through to lows is rich and pleasing, full of nuances and details, the low frequency response is amazingly smooth, tight and articulated, no distorion or compression, naturally balanced stereo image, and thanks to the totally passive analog front-end, this unit is able to reach an incredibly low noise level, for an extremely wide dynamic range, and a real and accurate reproduction of the transients. A sound that is difficult to put into words.

The analog input stages are kept balanced from the input connectors throughout to the converter chip. Output formats are AES/EBU in single wire technique, optional Toslink/Optical, for a direct connection to digital peripherals. Additional AES3 digital output and auxiliary WCK clock output are available upon request.

Features

  • 2 Channel Stereo Analog to Digital Converter
  • Intended for Mastering, Mixing and Recording
  • Two filtered and regulated independent power supplies, common-mode filtering chokes
  • Totally passive analog input stage, for an incredibly low noise floor
  • Three independent custom wound toroidal core mains transformers for logic, digital and analog sections
  • 9 independent fully regulated low noise power supply sections for improved clarity and noise free operation
  • Entirely balanced signal route for improved noise rejection
  • High speed low noise custom wound audio transformers with Bessel filter behaviour, for precise transient response, linear phase/constant group delay, natural anti-aliasing
  • Internal input trimming, factory default 0VU/+4dBu: -18dBFS (-14 on request)
  • 20 segment input level bargraph, with overload and sampling rate indication
  • OLED display showing Fs and Digital Filter selections
  • Button controls for Fs, Store settings, External Sync, and digital decimation filter selection
  • Galvanically isolated AES-3 digital output (additional AES output on request)
  • Linear frequency response over the entire audio range and beyond

Technical specifications

  • Frequency response at 192kHz (+0/-3dB): 10Hz — 55kHz
  • C.M.R.R., 1kHz: 90dB
  • THD+N, -3dBFS, 1kHz: -102dB
  • Signal/noise ratio, at 0dBFS, +22dBu, 22Hz/22KHz, A-Weighted: 129dB
  • Sensitivity for 0dBFS: +22 dBu
  • 0VU/+4dBu reference analog level: -18dBFS digital level, -14dBFS on request
  • Supported sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • Input impedance: 20kΩ
  • Digital Outputs: AES/EBU XLR Single Wire, 110Ω transformer coupled, optional Optical Toslink digital output up to 96kHz
  • Dimensions (WxHxD) inches: 19 x 1.75 x 8.85 - mm: 483 x 44.4 x 225
  • Net weight: 6.2kg
  • Shipping weight: 8kg (17.6lbs)

Featured on PLAP

Warren Huart renowned producer and award winning sound engineer, reviews the PAD-2 Mk2 on 'Produce Like A Pro'